homebody

"i feel happy when i'm on my bed, in my room with a good book." - Françoise Hardy

all rainbows and smiles

the wedding of Paul McCartney and Linda Eastman
the wedding of Roman Polanksi and Sharon Tate
i have four recent obsessions: the Zodiac serial killer, the concept of a Manic Pixie Dream Girl stock character (scan from my visual diary to come soon), conflicted heroes, and weddings. 
my love for weddings has never really come from a desire to be married or in a serious relationship but just to have a day where i have an excuse to throw a really great party and wear lovely clothes so that all my invited friends and family can spend the duration of a two hour reception celebrating what a wonderful person i am. then, me, myself, and i would happily jump onto an airplane for a relaxing honeymoon for one.
if you're wondering where the videos of the above weddings come in, it's my interest in conflicted heroes. the husbands in both cases have or eventually will have their name tarnished over the years - by racism or sexual perversion - but on their wedding day, with their newly wedded wives looking at them longingly, can we forgive them? can all the other good they've done allow us to ignore the bad stuff? can this work with mere mortals? can it work with me?
(a playlist i made dedicated to late night driving)

six-eyed temptress

both unknown
 Jeanne Goupil in Mais ne nous délivrez pas du mal

Butterflies by Salvador Dalí, unknown
Sofia Coppola by Corinne Day
from The Virgin Suicides
unknown
Post-Apartheid Dance: Many Bodies, Many Voices, Many Stories by 
Sharon Friedman
Thurston Moore
Catherine Wagener and Jeanne Goupil in Mais ne nous délivrez pas du mal
Vivian Girls, I Heard You Say
(note: the candle lighting, tapestry print dresses, and general girl gang aesthetic)

join my coven

two unknowns, Naomi Campbell for Perry Ellis, Oluchi Onweagba for Helmut Lang
Winona Ryder in Beetlejuice
plum lips: two unknowns, from Nichts Als Luxus by Michel Comte for German Vogue
from Scotland: The Castle of Park in Glenluce by Juergen Teller (1997)
a modern day teenage witch typically has underdeveloped abilities and uses tarot cards and palm reading as the outlet for her powers. that being said, it would be a foolish decision to ever underestimate them. get their style:


 
and then like the entire A/W'11 collection Alexa Chung did with Madewell (*grabby hands*)

haunt me

i feel you, George, i feel you. shoutout to all the young adults being haunted by exams right now!!! you guys rock. you go and destroy the idiotic method of teaching that we are subjected to (and just try not to fail).
June's vibes are hippie/swamp fairy/witch with central colours being forest green and plum (I NEVER WANT TO SEE ORANGE AGAIN). 
mood = misty, bitter, damp, moonsoon, haunting, eerie
 Laura + Donna
oh David Lynch, you almighty god of aesthetics
sipping on the sweet nectar by cunimimi
 by Brion Nuda Rosch, the fairies of Cottingley
 Crystalised by sseaghosts
Château d’Aunoy by Helmut Newton (1978), unknown
Devon Aoki in The Wood Tale by Juergen Teller (1998), unknown
from Modern Primitives series by Ellen Rodgers
The Dead Bird by Margaret Wise Brown (1958)
(L-R:) Naomi Campbell, Karen Elson, Shalom Harlow, and Kirsten Owen by Peter Lindbergh
(yearbook photo of the coven club)
Karen Beth, Something to Believe In